Here is Mal, thankfully not smashing things in a rage this time around, but instead absorbed in a much more sedate activity. Said activity involves the kitchen table on board Serenity, and a frankly bizarre array of ingredients spread out across it, with a mixing jug in the middle. He appears to be doing something ungodly involving high protein
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Inara has changed into a much more simple dress and shawl and has been wandering around the ship, reminding herself of all the nooks and crannies. And she's headed into the kitchen at just the right wrong moment.
"That looks positively vile, Mal."
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Inara's thinking out loud -- she's not done that in as long as she can remember -- and she doesn't expect him to have answers for her any more than she has answers for him. As she leans closer, she releases his hand, the fingertips of both hands tracing the lines of his suspenders, not looking away from his gaze.
"Who are we when we don't have that? Who are we when we're alone and there's no one to see, to judge, to disapprove?"
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"Well, I ain't rightly sure, but... I'd venture that we're just ourselves." He answers, quietly. They're so close together at this point that greater volume really isn't necessary-- so close that he'd be nervous if he could think at all. He's full of doubt and confusion about how Inara feels about him, but he's also tired of wasting chances and running away, of regrets. Maybe it's time to take a risk-- and in the spirit of that resolution, he leans in that tiny bit more to close the distance between them, and kisses her softly.
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Really, she should have seen that coming. On some level, she did see that coming, but chose to not consciously pay attention to it so to avoid feeling like she ought to get to her feet and put some distance between them.
He scares her sometimes.
He's not interested in the layers, in the masks, the glamor, the pretense. He doesn't look at her and see a lovely way to spend a few hours. Mal's not the sort of man who thinks of her the way he's supposed to, the way her training should urge him to. When he looks at her, Inara thinks that sometimes, he sees into the very core of who she is. That he sees things she's not even sure how to see in herself anymore.
He scares her deeply.
She doesn't pull away. Her hands slide up his chest to cup the back of his neck tenderly and she returns his kiss warmly. This shouldn't be happening, but it is. She's scaring herself by how much she wants it.
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He can't remember exactly when he fell in love with her, but it was a very long time ago. He's scared too, though not for the same reasons. What scares him is the thought that any second he'll wake up and she-- this amazing woman-- will realize she's kissing Malcolm Reynolds and pull away, that she'll regret it, and reject him. He puts his arms around her and draws her closer as if to combat this fear, his heart pumping, it seemed, almost audibly.
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Inara moves a little closer yet, cups his face in her hands and deepens the kiss, because, really, she doesn't know if she's brave enough to ever let this happen again and, in case she isn't, she wants to know what he tastes like.
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After a long moment he pulls away just a fraction, feeling like he needs to say something, to express somehow his feelings. "Inara--" He begins, breathlessly, though as it turns out he's at a loss for words- or rather he has too many words, and no idea what order to put them in.
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That is, they -- she -- should have known better than to --
She doesn't have the excuse of the alcohol going to her head. If anything, it's the fact she's missed him and Serenity terribly. Or the confusion and fear she feels in this strange new place. Or--
Or the simple, dangerous fact of her feelings for him.
"Shhh," she urges, pressing another sweet, brief kiss to his lips. (He has a beautiful mouth.) "You don't need to say a word."
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In spite of all of this, he can't feel anything other than glad. To know that, in some measure, she feels for him- and to have her here with him after losing her twice, after so much longing... well, there's no regret to be found in that at all, complications or no.
"Well, that's a kindness." He says, the hint of a smile crinkling the corners of his eyes as he looks at her (she has a beautiful everything), and lifts a hand to gently brush his thumb along the soft line of her jaw. "Because I'm fairly certain anythin' I say right now would be fèihuà*, anyhow."
*[nonsense]
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But then he smiles, and touches her, and she's lost again.
"I don't know what either of us could say that wouldn't be." She lets her eyes fall shut again at his touch. Her heart is just pounding -- she feels deeply ambivalent, torn between gladness and fear.
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"Seein' as how we're not real conversational at the minute, maybe you'd like me to... leave you some time alone?"
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"Who are you and what have you done with Malcolm Reynolds?" she whispers, huffing the softest not-quite laugh.
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"I honestly don't know, but if you see him, could you point him in my direction?"
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Inara offers him her hand, reaching for his own, palm-down. "I will surely do that," she promises.
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Mal takes her hand, squeezes it softly, with affection. "I'm grateful." He means that in the context of their joke, though it carries a deeper significance too.
"That wasn't a very conclusive yes or no." He adds, after a little pause, with reference to his offer of 'time alone'.
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Inara runs her thumb over his knuckles lightly -- she's visibly wrestling with something, trying to force herself to form words. "One thing I do know, however, is that I don't want to be alone yet." She's afraid to be.
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