The session I attended at Boskone was a gentleman from Scotland who is planning a thread involving music and science fiction for a con in England. I want to go to it, but there's no way I can get the time off in April :P
One of the threads involves the structure of music and the structure of a novel and the parallels thereof. It's something I've
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I'd always thought of changing scenes like that in terms of crescendo and dimuendo. Actually, I'd usually hear my music teachers saying that music would be boring if it were all the same volume. The same is true for novels.
I can see how there are many parallels between music and writing. I used to be a jazz drummer, and THE most important thing is rhythm, AND change. Ever hear a musician play to a drum machine? It sounds too mechanical. There's no give and take, no flow, no change, no improvisation. Writing can't be mechanical either.
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