Yes, I finally did it. Last weekend, in fact. It's just that I was working so hard on my teaching portfolio last week that I didn't have much writing energy left for reviews in the evenings. So, now that I have a day spare, here goes:
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Fourth Doctor: Logopolis )
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"Anthony Ainley just isn't as good at being the Master as Roger Delgado was."
Probably, although decent stories with the Master are few and far between. He works best when he becomes a monster in Deadly Assassin or The Keeper of Traken. Otherwise, he becomes a panto villain and you're left with the problem of trying to give him a motivation when he so clearly has none. At least here the villain is the entropy wave and the Master is mostly a useful plot device.
- K
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(The comment has been removed)
Adric - I can see your point, there. I'd assumed that his negative reputation came from character development in the Peter Davison era (of which I've certainly seen his final story, but don't remember any of the others). But yeah - maybe he does work differently for boys. Also, yes - having seen Matthew Waterhouse talking about the role on the 'making of' doc, he certainly is breathtakingly irritating.
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What character development would that be? I must have missed it!
-K
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