I hadn’t actually planned to start my little series on editing today, but this topic came up last night in email with a good friend of mine, and it annoyed me, so here we go, and we’ll do more next week (including copyedits, which will be fun, I think, and of course I’m going to use pages from the original mss of UNHOLY MAGIC and CITY OF GHOSTS to
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I just finished the editorial letter for the novel coming out this summer and am waiting on the line edits. I've learned something as a writer with each project we've worked together on. Sure, there are a couple of Carina Press/Harlequin house style issues, but I've learned which battles are worth fighting.
I've found I am more likely to STET in the CEM than in the developmental edits and line edits. With the CEM, it sometimes turns into an issue of voice, and I am more likely to hold my ground.
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I really enjoy your posts, I know I don't comment very often but I like reading them.
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I'm not going to go off on a rant about it, but this - “The only rule of grammar a writer needs to follow is to make himself understood. Everything else is style" - is definitely going to be my rule of thumb from now on.
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