I think most of us were fans in time for the glorious glut of special stages at the end of 2009, when every Kpop awards/end-of-year festival under the sun included at least one Michael Jackson tribute. It really highlighted how much Kpop has been so heavily influenced by the man, both in sound and style.
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It's really interesting to see how much of what we think of as "pop choreography" (for lack of a better term) actually has its basis in Broadway (and then to go backwards from that too, like ballet! Btw, this kid is a fantastic ballerina and she's only freakin 14. Also, this is the most *hilarious* ballet clip ever: The Red Queen from Alice in Wonderland 8DD). I think it's kind of sad that there appears this divide between "classical" dance and "modern" dance, when really the two go hand in hand - just like music.
K-pop choreography is interesting because it seems to be jumping in from the side, from locking, which came from J-pop, but now J-pop choreo and K-pop choreo have become pretty different. It's still very different from current American pop choreo, which seems to be more club-based (but I'm guessing here - I've not kept up with American pop for a while ^^;).
Actually, huh, in light of this article on Gene Kelly (or rather the film series ( ... )
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Heh, in Mozart's time ballet was SCANDALOUS~. Wonder what they'd think of the pussy-popping dances of today. I'm glad shows like SYTYCD are helping to bridge the gap. But it's interesting that some dances, like clogging, explicitly specify a traditional category. In some respects I can sympathize, as I grit my teeth whenever people try to modernize tango by dancing it to music that is NOT TANGO. (Kpop is one of the worst offenders for this, grrrr ( ... )
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