Okay, so as some of you probably know, I'm in a playwriting class right now (and it is awesome), and we basically bring in scenes every class period and read them and critique them, and talk about writing processes and techniques and do some workshopping and basically it's the most fun class ever. BUT anyway, today we were talking about an article
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But I see it all like a movie, so when I'm writing I'm trying to describe what I see in my mind's eye, in terms of actions, scenery, sets, tone of voice, and lighting even.
Things don't always go like I plan them in my head-- things somehow change when I write them down. I know exactly what you mean by interrupting the flow of the writing, and reluctance to do that.
I think the trick to writing controversial topics is to be true to your characters-- it's not me saying these things, it's the ( ... )
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So since you see it like a movie, do you find it really easy to get detailed in your descriptions, or is it kind of a pain to write it all out because it's just so obvious to you how it should look? I get that way sometimes, when it's just so easy for me to see it, and I don't quite know how to explain or describe it properly to get the reader to see it the same way ( ... )
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And writing partners, for me? I've always written one character, they've written another and we bounce off each other. It's a lot more inspiring to have someone keep you on your toes, but the story is told very differently to how you saw it in your head.
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That's basically how I did it with my main co-writer! It was so interesting, and yeah, we definitely wrote some stuff that I never would've written just by myself. It was good to kind of hand it over whenever I was feeling stuck, too, although I will admit that I had a slightly bigger issue letting go and passing it off without writing a TON first. :P
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But sometimes I feel like writing in a sarcastic tone, mostly essays at school. Or I'll feel the need to write something SCARY or BLOODY.
But that doesn't happen often.
So yeah! xD
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Oooh, that's super cool about hearing the voice of the character. That is really interesting. I think I tend to (if I'm trying to force myself to start writing a story I've been planning out) come up with scenes or situations and I just push the characters into them and feel them out that way, if that makes sense?
And I'm exactly that way with writing outlines. I usually write write write write write, and then I get hit with it like a bolt of lightning about halfway through, like oh, that's what I'm writing about, that's where this story's headed. I used to really hate outlining, but man, my LBB would NOT have been written without an outline. I had to go through that basically scene by scene, sometimes all out of order. It does help a lot to kind of edit beforehand with the outline, and it also makes it easier to rearrange scenes that way ( ... )
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