I love it. A lot. I'm hoping to read the book (I keep reading, and my reading list never gets any shorter!).
I haven't brainpower to put any kind of organized response together, but since I tend to babble on about this sort of thing I thought I'd share a few thoughts.
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Cut because I have flist spammed like whoa today )
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I was quite taken by Margaret, to be honest and found the last part as an extension of how her character was maturing and understanding, but awkward with it.
Thronton was amazing. I was very impressed with Armitage's portrayal of him and felt he added a whole lot to the character.
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Margaret is so awkward. I love it. I like her a lot - I just felt there was something of an abrupt jump at the end. I'm curious to see how it pans out in the book (I couldn't help but start reading it), since I wasn't clear from the film at what point she decided she liked him after all.
The whole Thornton clan were pure gold. I love them all.
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I teach history and it really does fit with how it has been described in my texts and whatnot. I think that those dramas are always very good at depicting those kinds of scenes, though. Hence their popularity, I would imagine.
Oh man! I'm just waiting till I get to Europe to get another copy from my pal! I left mine somewhere. Now I must read it. Thanks for reminding me of how much I liked it.
Oh they were great! They really were a great antidote to Margaret's family.
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I've watched this miniseries waaaay too many times and every time I watch it I love Mrs. Thornton more. The scene with her and Margaret in the abandoned mill just breaks my heart; she's so strong, so very very strong, but she has just one vulnerability left. I positively worship Mrs. Thornton.
Also, Armitage is pretty damn wonderful in it.
(I quite enjoyed the book when I read it, but OH GOD if you thought the romantic tension was bad in the movie, it's 100x worse in the book. They never so much as kiss; their huge romantic moment is that, at the end, they HOLD HANDS. So Victorian.)
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That scene at the end was phenomenal. In fact, pretty much every second she or Fanny were on screen, I was ecstatic. I would watch the hell out of a Thornton family sitcom.
I think I like book!Thornton more - at least so far. And there's a lot more exposition about his thoughts on the mill and the strike that didn't make it into the film, I think. I suspect this is going to lead to me reading everything by Elizabeth Gaskell I can get my hands on, because I think she's wonderful.
LOLOLOL HAND HOLDING. OF COURSE. S'ok. I'll just go and write my own smutty fics to make up the difference. :P
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I highly recommend the rest of Ms. Gaskell's works (although be aware that Wives and Daughters was unfinished) and also the other miniseries made out of them - Cranford, of course, featuring Dame Judi Fucking Dench, and Wives & Daughters, which I think is actually my favorite of the bunch. (Victorian science!)
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HOW DID I NOT KNOW THAT SHE WROTE CRANFORD?! I love that series. SO MUCH. Ok, there's no question about it - I am going to have to read through everything she's ever written.
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I hope you'll like it too! Let me know what you think. :) And then we can sit and shout about how devastatingly handsome RA is in victorian dress. Because... gnuh. If I have a clothes kink, it is definitely victorian.
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I really loved how Thornton and Higgins resolved their differences and realised they had more in common than they previously thought. And Thornton going to see the orphan children and paying for the boy's education - I practically melted; I can't cope with Richard Armitage being all broody one minute and then smiling at children the next.
And I really liked that it ended with the woman offering the man security through marriage, and not the other way around. I don't think I can recall any other books from the same time period doing anything like that.
But I found the whole thing really interesting - the fact that it was about the class divide and striking, but how fairly it was portrayed on both sides really surprised (and impressed) me. I was expecting the side of the masters' to be demonised, but it really wasn't.
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Especially the bit about her offering him security through marriage. I love love love Gaskell's depiction of women - of all kinds of women, with sympathy. So, so much love for her writing.
And I think North & South is my favourite of what I've read of hers so far because of the depiction of the class struggle (though Cranford's got some lovely bits about 'elegant economy' - how all the major landowners in the town are little old ladies, and they agree not to mention finances because some have a lot and some have not much, and they all spend conservatively to make each other feel comfortable). It's the same with the questions about religion brought up in the book - she's got a very live and let live attitude… She's happy to see both sides, but she's disinclined to take one or the other.
SO. MUCH. LOVE.
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