It's a regular caravan that shows up at Metropolis today.
Vehicle One: The Coraline, a modifies pick-up truck being driven by everyone's favourite bloodthirsty pirate, with a distinctly anti-killing ex-Robin in the passenger seat. The ghost of a teenage girl is technically sitting on the roof of the cabin, but sometimes she pokes her head in to
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He's hoping everyone else is keeping their eyes peeled, because there's only one person in the Porsche capable of looking for people and his attention is also on driving.
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She hasn't said anything for a few minutes when she observes;
"OK since the car slowed down you've been awfully quiet. Are you trying to look?"
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He hasn't been nearly as talkative, but then she's been talking about family and he's not much for the topic at the moment.
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Yeah, let's not even try to follow that last bit of logic. I promise that it's internally consistent, but when pointing out what's wrong with it according to real-world reasoning, it's difficult to even know where to startThe relevant information which can be gleaned from all this is that Sylar is still limited to intuitive aptitude and phasing, and that he's not out stalking for brains 24/7. The narration will now expand this in order to enlighten you with the following facts: he's in the old hotel in which he currently lives with that Hannibal guy, and he's walking through the walls ( ... )
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It's hard, as the intruder really hasn't been out much. He stops the Coraline near an alley, where an old bloodstain marks the passing of the only victim. He doesn't get out, just studies from the drivers seat.
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The body itself is off clogging up a sewage pipe somewhere that should be impassable. Phasing is a useful tool when you want to hide a distinctively sliced skull.
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"What the %&*$? Is this my body? Am I dead? I'd know if I was dead, right? Holy #%$*!"
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