The one advantage if you don't feel passionately about something is that it makes following controversies voyeuristic fun, as opposed to hurtful "but why don't they see....!?!" battle for oneself. My current example is the ongoing reaction to The Iron Lady. (Which I still haven't watched), i.e. the one beyond the "Meryl great, film mediocre"
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Anyway, then German tv obliged me by showing the film. It's not one of Lean's epic ones, but just, as I said, every charming. And of course his camera adores Venice.
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