Now I've seen comparisons to Citizen Kane (both film and character) for this David Fincher/Aaron Sorkin collaboration, but not the one which occured to me within ten minutes of this entertaining, frustrating and highly interesting exercise in RPF. But then, I'm not sure how many reviewers watched Buffy The Vampire Slayer.
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Warren Mears: This Is Your Life (If You Got Out of Sunnydale) )
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I'll probably watch it this week, and will let you know my thought.:)
And ha, "but he loves his mum"-villain is the perfect description for a certain type of characterisation. *veg*
Absolutely. The cheap way to render your villain "complex".*g*
There's also a hilarious entry on historical novels and getting the language right, with the Pope asking Michelangelo "And do we have anything like a completion date?"*g*
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I'm glad she did, I really enjoyed your review!
And like you I was stunned and amazed: when did Justin Timberlake learn to act!?!
I'm not sure Zuckerberg was punished at all... I'm not completely sure he deserved to be (he was a jerk to people who pretty much deserved it, he was used by as many people as he used. It is what it is). My biggest question ended up being, how did he ever get that college girl to date him in the first place (her breaking up with him seemed perfectly normal and unremarkable because he clearly didn't deserve her)?
I think Sorkin had a lot to say about the internet age (or whatever this ends up being called) where ignoring the people around you in order to communicate with people online seems to be 'normal'. I think it is kind of a great film.
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re: Citizen Kane - the reason why despite parallels I myself shy away from the comparison is that CK's characters, no matter whether they appear only briefly like Emily Kane or all through the film like Bernstein, are all very rich and layered. Even Kane's political opponent, Boss Getty, who could have been just a plot convenience, gains some humanity via his exchange with Emily. Sorkin is a brilliant scriptwriter, but there is no comparable moment for the minor characters of The Social Network to, say, Bernstein's story about the girl he saw only for a moment on a boat, Susan's "what do you know, it's morning!" at the end of her interview or "I have his trunk packed; I had it packed for a ( ... )
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