One of the reasons why I'm glad the Multiverse stories are posted anonymously at first is that I find it intriguing what feedback one does and doesn't get without the name attached. (So far, some nice feedback for my main Multiverse story and the recipient of the pinch-hitting second one liked that one, which is a relief.) Conversely, I read
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Scarlett is descended from Becky Sharp! (Though I haven't seen the latest version; I'm too faithful to the BBC mini). I hadn't thought of the Scarlett/Becky thing; this post is full of great connections like that. And I hope that Elizabeth does end up on her own - I don't think she and Will are ready to be married, and Jack's not a good bet for a long term relationship, to say the least. She's got some growing up to do and with them having chosen to make her modern in so many ways, I like the idea of her having her growing-up time on her own.
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Anyway, you're welcome. Though to be fair, I'm far from the first to make the Becky -> Scarlett connection; several of the original reviews did, but then, in the 1930s, Vanity Fair was apparantly far more on the book critics' curriculum. As for the new film version, it has some conscious allusions to GWTW the movie as well as some striking visuals and goes very much against the tasteful pastel look of many Regency tv series and movies, bringing out the colourfulness of the period. (Which I love, and which, if one takes a look at the decorations at the time, is absolutely true.) But like I said, they softened Becky up. For example, she really is a good friend to Amelia from day 1, and of course, that robs the shrugging "oh, for Christ's sake" way Becky disillusions Amelia about George in the end of its power. And she's a good mother. Because no audience likes a female character who isn't a loving mother, you know. And she never ever had sex with Lord Steyn, she just did some heavy ( ... )
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< /Snape>
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