Sometimes I look back at my own teenage years, tangled and tempestuous as they were, and wonder if I knew how lucky I was, musically speaking. The Counting Crows still played at the U.C. Berkeley on-campus club; Heather Alexander was both local and frequently touring; Celtic rock was having a resurgence, with Avalon Rising and Four Shillings Short
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I had the unrecognized-at-the-time luck of coming across a copy of Come Away to the Hills at a Palo Alto library booksale some time around 2007, bought it on a whim (because that is the point of library booksales!) and fell in love with it as soon as I played it.
I shall be buying Now and Then as soon as I get to an internet connection with appropriate bandwidth.
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Edit: OMG! It's got the original for the "Black Flag" filk! I never knew where to get that! THANK YOU!
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See, back in December, I had $15 in Roundworm royalties to pay Elton. It was a small amount of money -- but enough to trigger an unwanted 1099 form. So he suggested I donate it to charity.
I countered that we create our own (virtual) charity dedicated to putting Leigh Ann's music back in distribution, and use it as a downpayment towards the first project. Elton was super agreeable, and I'll spare you the rest.
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I do have to admit there are two songs on the album that don't do it for me: "Welcome in the May" (which I find to be a bit...sniggery) and "Sunday Afternoon in Upper Wallop" (which is just "What were they thinking?"). Leave out those two, though and you have an album which truly merits the word "great".
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