I usually don't pay any attention to awards, the exception being the Andre Norton, because I made a promise to Andre before she died. Like I said to
jemck here, I don't choose my reading according to awards. Actually, I think my extreme skepticism about awards goes back to my childhood library visits, when I discovered that Newbery Award winner! didn't
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I'm also surprised, with short stories at least, that stories that appeared in print venues are preferred over ones that appeared online (Almost all the short stories I read are online ones).
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Re juries, sometimes it makes a difference, who picked the jurists. Then, is their a jury dynamic--is there someone who establishes themselves as alpha.
Then, not everyone can read everything, so the jury is more likely to check out stuff that one of their members raves about.
Then there are those who have a wide following and who assiduously hound their followers to nominate their stuff, vote for it, yadda yadda.
All this stuff is behavior stuff, and exists alongside the vexing question of "whose standards do we accept as good?"
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à propos of hounding your followers to nominate your stuff, I have to confess to not being much of a fan of even the yearly roundup of stuff eligible for nomination--even though I can see the point (stories published early in the year may slip people's minds, and people do like to be reminded).
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P.G. Wodehouse, the same.
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And I get why this is. Sometimes you like Y better than X but X better than Z, so you want to consolidate X and Y fans to make sure Z doesn't win instead. But sometimes I think this rationale grows out of proportion to its real life impact. The preconceptions become reality. And it frustrates me.
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I have bought a supporting membership for two years running because of this. I personally appreciate posts that remind me what is eligible for the Hugo's.
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