As always, when you get a bunch of writers together, conversation caromed speedily, often hard to follow as conversations split off--both equally interesting--then recombined again. We talked a bit about "cutting edge" and who might be considered "cutting edge" currently writing in the genre now, and something someone said led to my asking, "How
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If greatness is is defined by the charisma that leads men to follow, then Hitler was great. Stalin was great.
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I'd argue that greatness is at least partly a matter of self-definition-- as it relates to the goal. Alexander wanted more than anything to be the conquering Homeric hero, and so he was. There's a different set of questions about what value greatness has by itself (if any) but in his context and in his time and with his goals, I'd tend to say that he really was Great.
Or maybe I'm just distracted by the lovely biography...
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So...that's another topic, how 'greatness' is defined as our civilization evolves...
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Funny nihilistic_kid should have mentioned a hand and a woodchipper though... when I went to drop off my car to get the parking break fixed, the guy in there was telling the mechanic about just such a disaster.... awful.
You need a very powerful or strong vision to write something great, I think. Like you said, it doesn't have to involve continents and nations, but I think your vision, your sense of what you want to say, has to be really strong. Like the ancient mariner, you have to want to collar people and tell them your story.
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Like Superman, Sherlock Holmes seems always to have been there; of course, there were ancestors (and would be descendants), but the coalescence of traits and character was new. "What oft was thought, but ne'er so well expressed."
However, I think the greatness that you and I are talking about is not the greatness of literary immortality; it's pop-culture immortality. Which is equally hard to pursue, I think; you don't *know* what idea will be seized on by the Zeitgeist. Consider Beau Geste, which led to who-knows-how-many movies and is now irrelevant, so much so as to be mocked in The Last Remake of Beau Geste. Remember also the sad fate of Lady Audley's Secret.
My rationalization has always been "Write the thing you have to write and let the greatness come ( ... )
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Sorry if this sounds a little ill-tempered: the cult-of-the-writer stuff that nihilistic_kid delights in usually rubs me the wrong way.
[edited for splleing]
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