When I was thirteen, I used to carry a pen around wherever I went so that people would see it and know I was a writer. I'm sure now if anyone even bothered to notice my myopic, zit-faced self, the pen just looked stupid, especially as it marked up most of my clothes. But I thought people would see past the dorky clothes, the scrawny, awkward
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It's often interesting and occasionally has led to some lively conversations. But it has also lately taken on a pecking order flavor all its own-- kind of a tone against non-writer reviewers. Occasionally it takes on a feeling that only professional reviewers and other writers are qualified to discuss someone's work. I don't like that very much.
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I haven't felt that myself, but I do think the extent to which writers make up the sf blogosphere -- in comparison to, say, the broader litblogosphere -- ends up distorting the nature of the discussion that happens quite a bit.
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Blogs might affect how I think about or view them as a PERSON, but not about them as an AUTHOR. I can admire their writting style in any form (blog, novel, etc). But I only make judgements as a person as an AUTHOR if I've read something they've written and published.
Does having access to writers (which is a relatively new thing) make a difference in how you partake of their offerings?
Not really. I have 6 or so published 'known' writers that I read blogs for, you included. In some cases, I had read their works before finding their blogs (such as yours, I'd stumbled across the Wren books first), in others I knew their blog and online persona well before I ever read anything they had written (dancinghorse for example I 'met' through your and another LJ friend's posts about her). In her case I actually was *hesitant* to read her works since I didn't want to end up disappointed after everything I like about her, her horses, her riding philosophy and the other ways we've connected as online ( ... )
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One of the things I'm thinking about with this question is the conflict between critical anaylsis (which, among other things, assumes you've read the book) and reviews, which assume you have not read the book, but which are there to provide clues to whether or not you'd like to try the work in question.
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No, it does make sense. And yes about critical analysis. I enjoy some of it, but I really have to know the book well.
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Next, lots of writers talk about writing. I find that what I'm learning has begun affecting my reading. I'm a lot more impatient with the telling vs showing thing. (And somewhat bemused to find an irritating about of it in some Literary Writers. *Why* are those guys considered so good again?) For instance, I'm currently in an online discussion of Pride & Prejudice my university is running for alumni and I'm really startled to find how much of what I'm picking up there is traceable directly back to reading LJ.
Third, I've been to two cons, ever: one was Worldcon in LA, the other was a tiny local one. So I never had that connection to the writers I read that SF fen who go to cons do, and blogs are a more than adequate substitute.
But the second point is the most important. Boy howdy, have I learned a lot.
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I envy you that P&P discussion! I never tire of Austentalk.
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Also, this is a program from their Writers' House (not a department but a resource / gathering center) which was established several years after I graduated so it's nice to get the benefit of it this way.
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Not only is there you, whom I knew as a blogger before I knew as a writer, but there are bunches of other people whose blogs turned me on to their other writing: nineweaving, watermelontail, sovay, las--well, basically about two-thirds of my friends list. Most recently, haikujaguar, whom I read for months as a commenter on your blog before a post by fpb prompted me to start reading her blog--and wow, what an interesting person with an interesting approach to her career ( ... )
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