Here's a question: in the
"Narration, Courtesy, and Names" section of his Introduction, Tyler asserts that
The narrator of Genji is acutely aware of social rank and assumes the reader is, too. She seems to be a gentlewoman telling a tale to her mistress . . . . The fictional narrator speaks from within this structure, and for her, good manners
(
Read more... )
Comments 7
(The comment has been removed)
Reply
(The comment has been removed)
Reply
(The comment has been removed)
Reply
(The comment has been removed)
(Also, nice icon. Just watched the first DVD of that last week.)
Reply
(The comment has been removed)
I sometimes just stop to be amazed that we're reading something so very old and (mostly) understanding what's going on!
Reply
Also, Lynne Miyake's essay "The Narrative Triad in the Tale of Genji: Narrator, Reader and Text" in Approaches to Teaching Murasaki Shikibu's The Tale of Genji. Edward Kamens, ed.
And if anyone's really interested in this sort of thing, Edith Sarra's Fictions of Femininity is one of my personal faves of lit crit. It's not about Genji, but it deals with a whole bunch of women's diaries, which were one of the major forms of literature written by Murasaki Shikibu's contemporaries and share quite a lot of techniques, allusions and themes with Genji.
Okay, done delurking/bibliographying now.
Lianne
Reply
Reply
Leave a comment