When seminal electronic label R&S folded, I lamented the downward spiral of electronic music. I don't mean in talent or sound, but in popularity. The music was bursting out of its niche in the nineties. It faced mainstream labels wanting to buy it, but unsure how to market it, and rock critics unwilling to learn new vocabulary and syntax to
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On the punk side of things, Berkeley's Lookout! Records was notorious for being behind in paying royalties.
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