First: You guys are awesome. I don't mention that nearly enough. But you are. ♥
Second: So uh, y'all know that England and America and time travel and Shakespeare and zombies fic I have been mentioning offhandedly for a while?
I think I have a rough outline.
Super-rough, mind you. I'm going to have to do a lot of filling-in-the-blanks in patches
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Understanding already that the writing process for "Running Out of Alibis" was...not the easiest thing you have ever undertaken, I never got to read through all of the first draft before you opted to revise it. What was something you felt particularly strong about changing/expanding on, and how did you go about accommodating those changes to the rest of the story? (Assuming any of your tweaks called for that.) Other people's editorial adventures are interesting to me, and I know this one especially was a challenge for you.
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OH LORD the structural OCD problem I get that too! I can't tell you how many times I have stalled on a fic because of sections left blank since I decided that something should go there to balance some other aspect of the narrative. It's such a trap.
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My version of the stalling-on-fic is that I get hung up on tiny details and cannot figure out how the narrative progresses once I get stuck because oh my god I have fractured the ( ... )
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