So, um, this post started out as being a "Dollhouse" review, but it's now actually about the last two seasons of Buffy, gender issues in them, and what went wrong. For me, anyway.
I watched Dollhouse once this week with my sisters, and then again with
meganbmoore. During the second viewing, for the most part, I had the window minimized while listening to the
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Mm, yes. I like '70s horror. The Exorcist and Rosemary's Baby (talk about your subtext)... but I've never managed to sit through a slasher flick. Just no appeal whatsoever. And word on the hot girls running around in torn clothes with blood on them? A world of no.
What was it that Giles said? "I fear the subtext is rapidly becoming the text?" Perfectly encapsulates the last two seasons of Buffy (which never happened.)They took what had previously been a pretty intelligent and effective feminist metaphor (as well as a bunch of other things) and dumbed it way, way down. UGH, Caleb. It was like watching an after-school special for sociopaths. Hey, did you know that wanting to rape and mutilate women just for existing and being Other is wrong? Because it is ( ... )
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See, normally? A ship like Kara/Leoben? Would be right up my alley, but it's exactly things like that that make me shy away from it. I enjoy their interaction, but I do think that it's problematic that they have set up a narrative structure where when Kara accepts her destiny, Leoben is in a position of saying, "I told you so." Which, in some way, justifies his abuse of her. Actually, not very unlike how they justified Socrata's abuse of her by giving her a special destiny. And yes, why do women's specialness/powers have to be tied down to weird forced sex metaphors?
And, of course, it's all very Hades/Persephone, which makes me love it platonically, but I'm disturbed by most romantic/shippy takes on Hades/Persephone, too.
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UMMM...episode two was definitely much more disturbing than the first one.
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Also, why are you not watching Buffy instead?
I found the first one to be sort of entertaining. This one bored me, which is not a good sign.
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Srsly. I am a baby.
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Buffy is one of those shows that really needs to be watched in order because it's telling a long, arcy story where impact is best felt when watched in order.
I kind of like my feminist metaphors to be vague and metaphory, so Buffy's take on it worked for me. I just don't like metaphors, in general, to be too obvious and cliche.
I'm not a huge LOTR fan, but Eowyn was definitely my favorite LoTR character and I do remember rooting for her. I think I possibly enjoy the superhero feminism and the real women feminism both equally when done well.
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And also the conceptual unclarity of spreading the power around - I liked the mythic origins of being a slayer more while it was still mythic and not demythologized - it seemed more powerful.
And I'm hoping he won't do that with Dollhouse, but it doesn't look persuasive yet - bringing in all that misogyny - as you say, not on the metaphorical level but on the actual level - makes it rather a jarring experience. I wonder why that's the story he wants to tell. I think there's a potentially interesting story there - but not if he is going to play it straight out, the way it looks so far in part.
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The Slayer powers did work best when they were mythic. I get the symbolism of all the girls having it? But it still seem more special and interesting when there could only be one per generation.
And yes, Dollhouse does make me wonder why he's telling this story. I...could really like it if it's a story similar to "The Inside," of a person without an identity trying to find one. But I think Joss mentioned in some interviews that he was making a statement on prostitution or something? Which is totally uninteresting and makes everything more questionable.
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Out of curiosity, which movie was it?
I had many Joss issues after Buffy, but Firefly briefly made me love him again. But "Astonishing" and the crap he pulled with Emma and Kitty killed any love I had for him. I still feel compelled to watch "Dollhouse" to see exactly how many more issues he can bring in, but at this rate, I don't know if I'll be watching for long.
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