HB: Well, we have four living writers in America who have, in one way or another, touched what I would call the sublime. They are McCarthy, of course, with Blood Meridian; Philip Roth, particularly with two extraordinary novels, the very savage Sabbath’s Theater and American Pastoral, which I mentioned before; Don DeLillo’s Underworld, which is a
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I can't get myself to read a lot of DeLillo. I gave up on Underworld though maybe I should try again.
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When M&D first came out, I remember, I was working for HB, typing up various essays and reviews, and we read the novel together because he was preparing a review of it (which I can't seem to locate online, but I have it on my home computer if you're interested) and politely asked me to read the novel too. I remember he had serious reservations about it. He thought it had a few good sentences but wasn't pleased overall. But I think his answer to the interviewer, quoted above, has more to do with "scale" than "full-scale." And that may be why he says now that he prefers M&D. Yet, what constitutes "scale" is another matter.
A little while later, after the review, in an interview (2000) he calls it "an awfully good book"; "I was very heartened by it."
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Sounds like Bloom shares some of my Pynchon ambivalence. I liked Vineland as a teenager, though, which he seems to hate a bit excessively. But that was in another country.
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