[Video Post | Open Action]
[Well, hello there, Network-viewers. What's that you see on your screens? Why, it's Rosella's device switching on, offering a quick glimpse of her face as the video engages. Oddly enough, though, she seems to be looking past the video, rather than into it; her attention is more on the device itself than on the fact that
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That seems as though it'll serve as a good advertisement for this affair.
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I do hope so! And people do seem to be enjoying themselves, don't they?
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But I will say that we've not given a demonstration as yet. Or am I going to have to wait until the ball for a dance with you?
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...if one is a really terrible dancer, you promise not to laugh?
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...cuz I'm really, really terrible.
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[Idle curiosity is idle.]
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Still, she's hoping she won't be picked next, unsure of the rotation and content with watching until she thinks she can at least get the steps straightened out in her head before applying them practically. Of course, those who typically try to look intensely occupied with their papers are always the ones that end up getting called on when the teacher is searching for volunteers.]
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It's an unusual reversal of roles; normally, Claire always seems to be the one confident in her surroundings, understanding the nuances of a modern world that sometimes escape Rosella. But this world is one that Rosella knows, has known since she was a girl, and so it seems today it's her turn to be perfectly at ease in the setting, instead.
Perhaps it's vain and self-indulgent of her to be a bit jealously triumphant at that change of pace, but for one fleeting moment, she is. And it isn't until she's managed to set that feeling aside that she walks over to Claire, a friendly smile on her face and her hand raised in a slight wave.]
Hello, Claire! It's so nice to see you. Are you excited to dance?
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[Motioning for Claire to follow her, Rosella steps over to an emptier part of the room, a little off to the side where they won't be bothered by the bustle on the floor. Then, bobbing a bit to the beat of the music, she arranges her arms into position, as though paired with an invisible partner, to demonstrate for Claire.]
Your arm rests on top of your partner's, you see, and that's where the lead really comes from; with a good partner, you won't even have to think about where you're being led. It'll just come naturally from moving in opposition to his steps, see?
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(In fact, in the hayday of his youth, well, teenagehood, he was one of the few to enjoy dressing up on a regular basis. If your posse looks swank, it's only normal you adapt their stales. ]
Rosella?
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Amory! Oh, how nice to see you! And how are you today?
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There are more crass things to say. Something about how Amory is, at heart, a young man with normal impulses. Something about how he's been ruined as a true romantic by the woman who taught him. Something appealing Rosella story book ideal caught in flesh. A rare collectible; new, unique and impossible. He may hate fantasies, but Amory likes Rosella, likes her in two readings of the word, though the latter is only now, gradually, being realized.
Raised as a caustic gentleman, he approaches her with a hint of a smile. Or at least, you could infer a smile from his expression. ]
I'm late. [ A beat. ] You seem busy, but I'll have to steal you for a moment.
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[Though whether she means that in response to his tardiness or his apparent interruption, it's not entirely clear--or, perhaps, it's a bit of both. She is pleased to see him, and pleasantly surprised at how generally...well, friendly he's been lately. She may not know the precise cause of it (yet, at least), but whatever it is, she's thankful for it, and she's not about to look a gift horse in the mouth.]
I'm not so busy as you might think, really. Just watching to make sure everything goes as it ought--and everyone seems to be doing quite well at it today! I've had my toes stepped on a fair number of times, but it's nothing too awful, and only to be expected from teaching beginners.
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