I'm still digging through Mary Beard's absolutely intriguing
Pompeii: The Life of a Roman Town. Every chapter is a challenge to the way I create the imaginary towns in my current work in progress. I have a character who is a baker, so where are the mills in my cities? Who does the banking? How are the streets cleaned? I find myself furiously
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God is in the details.
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as Gene Roddenberry explained to Desilu,
the very mundane reality of the Enterprise
made everything that happened to the crew plausible.
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Nicely said!
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One of the best series I ever read set in ancient Rome as the one by Lindsey Davis that starts with Silver Pigs. And a friend of mine just released an excellent fantasy/historical novel about Cleopatra's daughter set mostly in Rome; it's called Lily of the Nile. But for a a gripping read with a fascinating view of Rome, my fav Roman novel has got to be The Far Arena, by Richard Ben Sapir, which is sadly out of print but still available as a used book ( ... )
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As for making slave owners attractive, I think it is very doable. Just think of how future generations will struggle to make non-environmentalists attractive? It will be hard for them, what with trying to survive amidst the mess we've made of the planet...
But we're all just ordinary people who honestly don't believe we're doing much harm and in many cases are struggling to do our best and pay our bills.
"The Far Arena" looks really interesting btw...
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Worldbuilding stuff like this is really interesting, and I definitely think it adds to a story. Cities or worlds that are completely familiar are just a bit too samey to me, and it's completely possible to integrate this sort of research seamlessly into the narrative - think of all the weird things readers know about Ankh Morpork without their introduction seeming infodumpy.
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Fully agree. The ideal is always to introduce things bit by bit. It's not always possible in every situation. Even Pratchett has to infodump at times, but he uses humour to make them interesting and fun.
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