I fear that my copy of We Love Life, the best Pulp album ever according to a poll of me, may be lost forever, spirited away to whatever cold wasteland swallowed my 2 Many DJs compilation and Portishead's Dummy. The latter, I must admit, I have no desire to buy again. It's brilliant, but its continual use as background music for This Sodding
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Phew. If I get this stressed out over it again, I'm going to remind myself that it'll be nice to buy an old CD for cheap for once, rather than buying a new release which costs more than I earn in eight months.
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The main problem with 'pirated' audio is that there is often some loss of quality, as people do not rip to a good format or at a high enough bitrate. That's been better in recent years, however.
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(You want proof? How about last Sunday's viewing of Van Helsing? Proof enough.)
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I'm not sure it is a happy album as much as it's a conciliatory one, one that accepts that life is often nasty and disappointing but worth continuing with anyway. 'The Night That Minnie Timperley Died' isn't too happy a song, is it?
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And nah, it's not that happy, but the sound is certainly happy, and it's happier than their other stuff (other than 'It', at least). I also really miss the keyboards.
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