This year Fourth Street left room to drag people onto panels at the last moment. I had an hour and a half's warning of the first one, but missed completely the moment when I was put on the Sunday afternoon panel about how you know when to stop revising.
skzb reasonably felt that, given the situation my book and I are in, I should be on this panel. I
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I found it quite bad enough when a journal edited an article of mine with a chisel and hacksaw in order to make my deathless perfectly adequate, if UK-English, prose conform in a clonking way to some (US academic) style guide, rather than assuming that if the sentences were actually coherent and non-obscure of meaning, this was a pointless and timewasting exercise.
Not to mention, the losing of a lot of socially- and period-contextual stuff in the biography to get it down to desired length.
Much commiseration.
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P.
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I also do tend to deplore that thing that some non-fiction writers do which is put in stuff just because they have found it, even if it's tangential or not very interesting.
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Mary Anne in Kentucky
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