"Mark, I don't know about this guy. He can't hold a guitar for shit." Roger walks along, brandishing his Fender. "Are you sure about him
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"Yeah. She is." Mark has an odd tone of voice. "Clearly you two have made each other's aquaintance." Combine this with Jill's comment that Quinn didn't come home a couple nights ago, well... Mark can do that sort of math.
Angel's not paying terribly close attention, at first, but he knows Mark and Roger's voices when he hears them. It's Mark's last sentence that makes him look up; he's frowning a bit. Sure, Mark probably doesn't mean it, but... still. "I still don't trust that tone of voice. Just so you know."
"Be glad you don't know from experience, Roger. It was going on something people's voices shouldn't do - not enough to make me worry, but still." Angel? Does not so much trust that damn music.
Roger blinks at Mark for a moment. "Hell, Angel. I missed that. Cohen, what the fuck's up with your voice? Angel's right. There was something odd with that last sentance."
Those closest to the Music are the least likely to notice it
Comments 89
Somebody's in a good mood.
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Mark slinks off.
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"Hey, baby. Love you."
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He's very focused.
He's also surrounded by balled up pieces of paper. Most of which start "Dear Quinn--"
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"Hey, she's gonna do it!"
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It's Mark's last sentence that makes him look up; he's frowning a bit. Sure, Mark probably doesn't mean it, but... still.
"I still don't trust that tone of voice. Just so you know."
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"Don't ask me." Roger shrugs.
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Angel? Does not so much trust that damn music.
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Those closest to the Music are the least likely to notice it
Mark just stares. "I didn't notice anything."
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