Really, really creepy article in today's Guardian Women's Page
on women gearing up for Their Big Day, i.e. wedding.
Okay, given my own marriage issues (I didn't even play weddings or lust for bride dolls as a child), perhaps I am never going to Get It on this kind of thing, but how spooky is it to make all this insane effort for something that is
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As a day, it was fine except we were both so nervous we couldn't eat. (This apparently happens more often than one might think and is one reason for not blowing good money on what you may well not be in a fit state to enjoy). But I don't recall ever thinking "I wish we'd spent a fortune".
We had our 30th anniversary last year.
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We've been together now for forty years,
An' it don't seem a day too much,
There ain't a lady livin' in the land
As I'd "swop" for my dear old Dutch.
Sweet fine old gal,
For worlds I wouldn't lose 'er,
She's a dear good old gal,
An' that's what made me choose 'er.
She's stuck to me through thick and thin,
When luck was out, when luck was in,
Ahl wot a wife to me she's been,
An' wot a pal! Chorus.
I sees yer Sal -
Yer pretty ribbons sportin'
Many years now, old gal,
Since them young days of courtin'.
I ain't a coward, still I trust
When we've to part, as part we must,
That Death may come and take me fust
To wait.......... my pal! Chorus.
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Martha Vicinus's The Industrial Muse (Croom Helm 1974) has a description of Chevalier's "my old Dutch" stage act:
My Old Dutch began with a pantomime act: the curtain would open showing the front of a workhouse with its entrances marked "Men" and "Women". Chevalier would enter arm in arm with "my old Dutch" and the guardian would separate the two, gesturing to the appropriate doors. With a look of horror, Chevalier would say "You can't do this to us - we've been together for forty years" and break into song."Makes you grateful ( ... )
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And both mother and daughter are psychotherapists.
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