intertext has a
lovely post about childhood reading of fantasy and sf, which reminded me of a post I meant to make and got distracted.
While on one of the panels at Wiscon I averred that reading The Left Hand of Darkness in my early 20s was what got me into reading sff. I had read sf before then, but very little of it in book form, as far as I can remember
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The second is Kenneth Grahame's The Wind in the Willows, which has some wonderful writing (which I know I didn't really appreciate as a kid), but much more uneven chapter lengths. And I find myself completely slashing Ratty and Mole. Which is thoroughly inappropriate but oh, my, they are such an old married couple.
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The first book he read was The Hobbit (when he was 6) and, with one notable exception (I've never read the Little House on the Prairie books) everything he referred to chimed with my own experience. (Though I was reading long before 6, indeed before 4, but that's what comes of having English teachers as parents. Not sure what the first novel I read was: unlike him I didn't jump in at the deep end skipping Peter & Jane.)
So far as Le Guin is concerned, he too writes about that revelatory feeling of first reading The Left Hand of Darkness and The Dispossessed. Or indeed, so far as my own experience is concerned, the Earthsea books.
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And I was taught history by his father. So I recognise some of the places he describes.
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Slightly related, in my head at least, is the observation in Diane Purkiss' At The Bottom Of The Garden: A dark history of fairies, hobgoblins and other troublesome things (which I picked up for a re-read after the Spufford and which in my mind is now connecting with it in unexpected ways): "[M]y mother's generation watched the film Casablanca. So did mine. But we watched for such different reasons and saw such different things in it that we might more accurately have been said to be watching different movies." Though you -Frankie I mean- and I are of the same age, the ages at which you read books first clearly can result in an analogous difference in reaction (though I'm surprised that Oursin had that reaction to the Needhams -unless I misunderstood-, I'd have expected them to be something that worked at all ages). But Oursin's point in the ( ... )
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Lloyd Alexander is one writer I have difficulty with as an adult, though I loved him when I was young, especially the Prydain books.
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Oh dear. Perhaps I shouldn't re-read those, then.
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On the other hand, fresher's week was the perfect time to read Brideshead Revisited.
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