Choo Waihong’s The Kingdom of Women: Life, Love and Death in China’s Hidden Mountains absolutely fascinated me, because it’s a sort of memoir/ethnography of the Mosuo people in Yunnan province, who are one of the last remaining matrilineal groups on Earth - and that matrilineal heritage is fast eroding as better roads, radios, and televisions bring
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I think this is one of the cultures talked about in Sex At Dawn, which has precisely that premise - that patriarchal monogamy as default is a result of socialization, not inborn traits as so often assumed. If you haven't read that one yet, I recommend it - I'd love to hear your thoughts.
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Does Sex at Dawn talk about the Mosuo at all? I feel like they would offer a test case for many of the theories in the book - because here you have a society where paternity isn't an issue, where people do have sex more or less on a whim, and sometimes form stable partnerships and sometimes don't.
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I read it some years ago so I don't remember if it was the Mosuo specifically, but the description you gave here sounds very familiar. If not, it definitely talks about similar cultures, as well as partible-paternity cultures, where a child is thought to have multiple "fathers". Their primary theory, which I find fascinating, is that humans evolved hidden ovulation and polygamous tendencies as a way of fostering group bonding and support - when multiple men in a group might be the father of any one child, they're all going to be invested in the kid and want to help it grow.
...And now I want to read it again, haha.
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It's hard to recognize other societies' problems because we're so keyed to look for our own, and beyond that, to look for our own signs of happiness/unhappiness. The thing that happens to spring to my mind now is our society's equation of smiling with happiness ... but I know that some societies don't like purely social smiles (I remember hearing this from a Russian acquaintance on LJ, and later from someone Estonian), whereas there are other cultures where they're even more de rigueur. But social smiles don't equal happiness and lack of them doesn't equate to unhappiness, etc.
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I think the problem actually is that I've read so many dystopian novels that they've trained me to feel suspicious of any society that seems pretty darn good. Clearly there must be a catch! Why do we need to walk away from Omelas this time?
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I also liked the long swishy skirts the women were wearing in the dance at the beginning. (I always had a vague fear that writing a matriarchal/matrilineal society would mean the story could have no swishy skirts at all, so it's nice to have official confirmation, as it were, that this is untrue.)
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This sounds very much like a culture that Ursula K. Le Guin would have written, so it makes me very happy to know that it's real and still surviving, which I hope it continues to do.
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