What I’ve Finished Reading
Jaleigh Johnson’s The Mark of the Dragonfly, which never quite gelled for me, unfortunately. The premise of a world where objects from other worlds fall out of the sky intrigued me, but the book doesn’t end up doing much with it - the objects don’t seem to have had any real effect on the world’s culture, except as curios
(
Read more... )
Comments 2
It's so **frustrating** when a book has a cool idea, and then the story doesn't do the idea justice. I can see how it happens. I sometimes get cool ideas, but if I can't construct a good story around them, I let them lie for precisely that reason. Kraken was an example of a story with a superfluity of cool ideas, and they were even pretty coolly portrayed... and yet the story didn't support them well enough, to my mind. Whereas, Railsea, for me, did it perfectly: had cool ideas that were justified in the story, and well used in the story--integral.
I agree with you about the shoehorning in of romance. Imagine if there were some other arbitrary requirement--like what if all YA novels had to have a scene where a person rolls up their jean (has to be jeans) and reveals interesting socks. Imagine if in any book, we had to see how this element was brought in. Sometimes I feel like romance has about as much necessity.
Reply
A badly shoe-horned romance can stop the plot just as effectively as a "look at my socks!" scene could. Even when the romances are fairly well-done, I'm often left with a niggling sense that it's there because publishers require it, not because the story or the characters really needed it. I liked Maggie Stiefvater's The Scorpio Races a lot, for instance, and the romance develops much more naturally than in The Mark of the Dragonfly...but at the same time, I think the book would be stronger without it, because it leaches page time away from everything else.
Reply
Leave a comment