“That’s not a house. That’s termites holding hands,” protests the taxi driver, when he drops MK off at her father’s house. MK also looks at the house with trepidation, although not for the same reason: she hasn’t seen her father in ages, ever since her father wrecked his career and his marriage because of his belief that tiny people live hidden in
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Whisper of the Heart, on the other hand, I really like. I'm not always a fan of the young love stories that Studio Ghibli is so fond of - they're sweet! And I like watching them, but my inner cynic/pragmatism points out that people change as they grow, etc etc. One of the things that sold me on Whisper of the Heart was the scene where they're riding the bicycle up the hill, and Shizuku insists on helping push the bicycle. It was a good metaphor for relationships, in which all parties must be willing to work for it when the going gets hard.
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I did go a little O.o when Shizuku and Seiji plighted their troth to each other, at the age of thirteen, after knowing each other for like two weeks...but middle schoolers aren't middle schoolers without dramatic gestures, I suppose.
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**It's also hugely sad--it has the words 帰りたい、帰れない (kaeritai… kaerenai) "I want to go home … I can't go home...
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Still! You and some combination of them would be great :-)
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the cutest part of this movie were the queen and the grumpy older warrior; i wish there was more of them.
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The queen and the grumpy warrior were adorbs, though.
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