I'm tempted to call that one of the best falsettos I've ever heard, but actually, I'm not even sure he's using falsetto - he's just got a phenomenally agile tenor register!
(And who is Nick Pitera? I've never heard his name or seen his face till now.)
Hey, I can do that too -- not as well, but I'm not as practiced. I don't really understand the falsetto/non-falsetto distinction, because up there it all sounds the same, but if you smile when you sing up there, in your head voice, with lots of support, you can pretty much achieve that effect without much difficulty. Next time we see each other, ask me to sing some Beauty and the Beast for you. (:
A good singer/voice artist can change his voice fairly easily by changing the shape of the mouth and back of the throat. While sounding like a convincing woman is hard, and possibly *very* hard in the middle tenor register, it's not so hard once you're up past an F or so. You have to basically close your throat rather than open it. If you took A Whole New World down a whole step, I could do the woman's part almost as well as he can pretty easily. Go to Vericon next year; I always try to sing a woman's song. (:
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(And who is Nick Pitera? I've never heard his name or seen his face till now.)
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A good singer/voice artist can change his voice fairly easily by changing the shape of the mouth and back of the throat. While sounding like a convincing woman is hard, and possibly *very* hard in the middle tenor register, it's not so hard once you're up past an F or so. You have to basically close your throat rather than open it. If you took A Whole New World down a whole step, I could do the woman's part almost as well as he can pretty easily. Go to Vericon next year; I always try to sing a woman's song. (:
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