Huh. Turns out 7000 words wasn't quite accurate. It's closer to 8050. Give or take.
The problem with making a list like this is that I’m not always looking for the same things in music that other people are.
Okay. I’m rarely looking for the same things. Toy pianos, for instance, do not rate highly on most of the Best Of lists I’ve seen. (I don’
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Comments 129
that's all i've got. god.
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So, yay! \o/
*snaffles playlist to get the stuff I don't already have*
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I go back and forth on how much I love "Welcome to the Black Parade," (and oh my goodness your restraint at not putting "House of Wolves" in the mix!) but I consider it the overture of The Black Parade. It shifts through so many of the musical themes that are expanded on in other songs and I just love that album a ridiculous amount.
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and oh my goodness your restraint at not putting "House of Wolves" in the mix!
God, YES. I'm still itching to put everything back in, but. I did claim to be able to choose.
I consider it the overture of The Black Parade.
It really is, and one of the things I want to talk about when I do the post is the choice to place it in the middle of the album. Because narratively, that makes sense. But musically, it's decidedly unorthodox, and I think that's one of the reasons that the album is a postmodern take on rock opera, rather than a retread of the big glam rock classics.
I may have been thinking about this for a while. Maybe.
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except for the burning out of FOB
It's not that I want it to happen, mind you. Just that with a writing partnership that complex and close, when things go wrong they go very, very wrong.
I just like to see how they've grown up and I'm a sucker for 80s movies references which are so blatant on the first album.
Me too, and if this had been a different post (I did have a specific audience in mind, which made a big difference in my choices) I'd have spent some time on them. In a way, this isn't my Favorite Tracks list. It's a balance of the stuff I just can't leave out, and the things I think are the most accessible for people who aren't big on punk/hardcore/emocore.
I think that was part of the goal for Gerard, maybe not intentionally, but the album has the ingrediants for all other cult-type media.I think it was intentional; there's a reason the uniforms are modeled from Sgt. Pepper and that the concept is so closely tied to death and redemption. I like that they're playing with that, ( ... )
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I think Pete would try too hard to keep Patrick so close that things may end up burning in flames, but as you said, Patrick and Joe grew up in this band, they don't know much else. I think if the band ever did go their separate ways they would be so accustomed to seeing each other eventually things would be resolved. Pete also seems to be the kind of person, despite horrible situations, to try and stay friends with everyone he's met (see: Jeanae and Chris).
It's a balance of the stuff I just can't leave out, and the things I think are the most accessible for people who aren't big on punk/hardcore/emocore.Yeah, I understand. It's actually a really good election of what the bands are now and how they've changed from recent albums. I'm also glad you incorporated singles because I know a lot of people just skim over them because they are so overplayed half the time, but they were chosen as singles to represent the band and they do ( ... )
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Plus I kept getting caught up in TBP and looking up an hour later to find that the list had grown again.
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