you know i agree:
https://t.co/WRi1r68YAk- rachel syme (@rachsyme)
January 25, 2022 - Rachel Syme wrote an article about Kirsten Dunst's career, highlighting how unapologetically feminine her chosen roles have been.
- The author also mentions how Dunst has picked a lot of projects that were ahead of their time, like being in a superhero movie before
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ok yeah she didn't rise to the heights of natalie portman or anne hathaway but calling kirsten one of the "unluckiest" actresses in hollywood is so fucking dumb. that label is more apt for someone like thora birch but kirsten was a global movie star/it girl in the 2000s: part of a huge franchise (spiderman), star of box office hits (bring it on), awards recognition (cannes for melancholia, globes for vampire), beloved by acclaimed directors (michel gondry, lvt, sc), embraced by the fashion world (vogue covers, bulgari campaigns). like there are struggling actors who would kill for a fraction of the career she's had
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Honestly, that Gawker quote is indicative of a very capitalist way at looking at artists that i see a lot in US based media. We can’t just appreciate an actor or a movie for what they are/it is. There has to always be a competitive, award counting, or monetized element.
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They even go as far as saying that her career seems a little “cursed” which was bogus to me. Underrated would just be a more fitting word/definition.
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She's the goal
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I am not certain, but I think yes? Kirsten has said that her mom always protected her and made sure she got a “normal life”, but she has also talked about how being the family provider so young was kinda fucked up and created some resentment towards her mom before
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My top 5, in order
1. Marie Antoinette
2. Little Women
3. Melancholia
4. Fargo
5. On Becoming* a God in Central Florida
Honorable mention for Mona Lisa Smile. I don't love that movie, but I love her in it.
She has so many hits, tho! It's hard to pick only 5.
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