The
BSFA Award long lists are out!
This is the third year of the three-stage process, similar to the one which was rejected (
as I hoped it would be) by WSFS for the Hugos at last year’s Worldcon. It works better for the BSFA. First, because there are far fewer categories - only four, compared to 18 for last year’s Hugos (and 19 for this year’s) - which makes the demands on voters much less. Second, it is only a matter of voting positively for stuff you like rather than for or against particular candidates. I think there are still problems - a glance at the table below will demonstrate that some works can get on the ballot despite being near-invisible to the wider public - but it spices up the process considerably.
The table below shows the 48 novels on the BSFA long-list, ranked by their combined Goodreads and Librarything ownerships. I have listed the number of owners on each system, and the average rating by those who have rated them; and I have bolded the top quartile in each column (ie the top twelve, except for the last column where there are a number of null returns and it’s only the top ten).
This doesn’t have tremendous predictive power about the outcome of the BSFA voting. Last year’s long list had 34 novels; the finalists ranked 9th, 23rd, 26th, 28th and 29th on
my equivalent table. In 2016 the finalists were 19th, 22nd, 27th, 41st and 44th out of 57 (
my table was less complete but ranked on the same system).
Still, it’s a guide of sorts to which books have been getting buzz, and might therefore figure on other final ballots this year.
Goodreads
LibraryThing
owners
av rating
owners
av rating
Andy Weir - Artemis 167277 3.73 651 3.59
Katherine Arden - The Bear and the Nightingale 125245 4.14 763 4.16
Mohsin Hamid - Exit West 116349 3.82 792 3.95
Omar El Akkad - American War 56496 3.87 460 3.87
John Scalzi - The Collapsing Empire 39852 4.1 438 3.89
Neal Stephenson and Nicole Galland - The Rise and Fall of D.O.D.O. 32443 3.93 414 3.66
Mark Lawrence - Red Sister 54808 4.31 162 4.14
Kim Stanley Robinson - New York 2140 18919 3.61 306 3.72
Ann Leckie - Provenance 17527 3.9 223 3.97
Mur Lafferty - Six Wakes 16578 3.86 221 3.96
Daryl Gregory - Spoonbenders 20641 4 144 3.93
Kameron Hurley - The Stars Are Legion 15591 3.72 162 3.52
Peter V Brett - The Core 24240 4.23 88 4
Nicholas Eames - Kings of the Wyld 17792 4.4 97 3.83
Jaroslav Kalfař - Spaceman of Bohemia 7824 3.89 97 4.15
Ada Palmer - Seven Surrenders 6067 4.2 117 4.14
Yoon Ha Lee - Raven Stratagem 5709 4.23 120 4.2
Frances Hardinge - A Skinful of Shadows 6802 4.17 74 4.23
Lisa Carey - The Stolen Child 3910 3.62 124 3.94
Benjamin Percy - The Dark Net 4282 3.29 69 3.31
C Robert Cargill - Sea of Rust 4063 4.12 65 4.37
Jeff Noon - A Man of Shadows 3274 3.52 49 3.64
Nick Harkaway - Gnomon 2967 3.96 43 4.4
Paul Cornell - Chalk 1834 3.69 36 3.96
Ada Palmer - The Will to Battle 2121 4.48 31 3
Jonathan L Howard - After the End of the World 2131 4.14 24 3.92
Nina Allan - The Rift 1455 3.38 24 2.9
Jen Williams - The Ninth Rain 1963 4.31 17 4
Nicola Barker - H(A)PPY 802 3.5 32 2.5
Chris Brookmyre - Places in the Darkness 1339 3.85 19 3
Paul McAuley - Austral 840 3.57 23 4
Ian McDonald - Luna: Wolf Moon 264 3.99 67 3.63
Adam Roberts - The Real-Town Murders 757 3.73 17 3.38
Adam Christopher - Killing is My Business 806 3.73 15 5
Anne Charnock - Dreams Before the Start of Time 747 3.55 14 3.75
Adrian Tchaikovsky - Dogs of War 491 4.33 8 4.5
Peter McLean - Damnation 440 4.13 8 3.25
Tricia Sullivan - Sweet Dreams 391 3.89 7 -
Chris Beckett - America City 200 3.92 8 3.5
Gavin Smith - The Bastard Legion [The Hangman’s Daughter] 317 3.62 5 5
Ian R Macleod - Red Snow 658 4.4 2 -
Philip Miller - All the Galaxies 211 3.33 6 2
Justina Robson - The Switch 214 3.67 5 -
Andrew Bannister - Iron Gods 52 3.65 1 -
Anthony Laken - One Cog Turning 60 4.4 0 -
Karen Traviss - Black Run 23 3.7 0 -
Allen Stroud - The Forever Man 7 5 0 -
Kenneth Steven - 2020 4 4 0 -
As usual I have read none of these yet. I note that
Red Sister, by Mark Lawrence, is the only book to finish in the top quartile of all four columns. (
Katherine Arden’s The Bear and the Nightingale only just missed doing the same.)