Second paragraph of third section:Somewhere nearby, he could hear the metronomic left-right-left of the 2: 47 P.M. shift, entering the Timkin roller-bearing plant in their sneakers. A minute later, precisely, he heard the softer right-left-right of the 5: 00 A.M. formation, going home.
Since I can't comment on any potential Hugo nominees this year,
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Lord of Light is my favourite book - I've given away tens of copies of it to people who haven7t read it, including at least three copies of the Japanese translation.
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In general I agree with your précis and analysis.
It always pissed me off right royally that Ursula K LeGuin didn't win either Hugo or Nebula for "Lathe of Heaven" but did for "Left Hand of Darkness" which IMHO is inferior in imagination and execution. And most definitely humour.
Tackling Dune is halfway to taking on LOTR in terms of cultural significance. Moorcock's "Epic Pooh" took on LOTR but fell a bit short of the mark, being too addicted to his Edwardian nursery thesis and missing the real mythopoeic aspect of the work. It has been said that in English LOTR only falls behind the Arthurian cycle and the Book of the Dun Cow in the list of great British myths - and it was the work of one man; I have to grudgingly agree.
(It may be time to revisit Mcpherson and Ossian, his retelling of the stories of the Fianna and Finn. As literature it worked for Napoleon, Beethoven, etc.)
My pleasure, sir. [Tips hat.]
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Thanks to your post I've just pulled 'All the Sounds of Fear', a 70s Harlan collection, from the shelf to go into my reading pile. Cheers for the reminder of Mr Ellison...
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