The nominees for John W. Campbell Award for Best New Writer submitted a diverse portfolio of work for voters to consider last year - five novels and five short stories between the five candidates. This year it is even more diverse and overall a little sparser: one long novel, one short novel, three short stories (twice) and one short story. It is
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This whole Hugo-packet thing has gone from being a cool little idea to being a gigantic big deal in what seems to me like no time at all, and judging from Chicon, Worldcon committees are hugely behind in thinking through the language of the boilerplate requests they send to nominees. Speaking for myself, Chicon's request basically felt like "Congratulations on your Hugo nomination! Now please send us proof that you deserve it. PS: You'd better comply if you know what's good for you."
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If I had time to chase through her other writing, that would of course raise the question of whether one's assessment of a writer's suitability for the Campbell award should include their non-pro writing as well as their pro writing, given the explicit emphasis on pro sales in the award rubric.
I don't have time, however, so it remains an academic question for me.
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Thanks for those who have made clarifications. Yes, I was told to submit my pro sales which currently includes only that one story (and a forthcoming novel from Orbit, which, alas, does not yet count -- and my publisher probably wouldn't want me to, come to think of it!)
Campbell eligibility is odd in that your "Campbell clock" starts "ticking" the moment you make that first sale, whether it's a book or a 1500 word short story. That's why I put my existing body of work on my site for free download.
I just wanted to clarify that I certainly would have submitted more samples of published work, had I been allowed to do so.
Mur Lafferty
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I look again at the letter of the rules, and I think you have a legitimate grievance. The phrasing is that the award is for "the best new science fiction or fantasy writer whose first work of science fiction or fantasy was published in a professional publication in the previous two years", but there is no instruction to the voters to consider only professionally published work. The first professional publication triggers eligibility for the award, but the wording is clear that nominees are to be judged purely as a "science fiction or fantasy writer", not as a "professionally published science fiction or fantasy writer". I would say that your other work, in so far as it contributes to your reputation as a science fiction or fantasy writer, is relevant material for voters to consider.
I still don't promise to read it before the voting deadline, I'm afraid!
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