53 The Crimson Petal And The White by Michel Faber
A monster (800+ pages) and hence taken on holiday. Although it flags slightly two thirds of the way through it is otherwise immensely nimble and readable for such a hefty volume. I've often been heard to defame the pre-war novel as false and Faber's chronicle is infinitely more preferable to me to than Hardy or Dickens. I'm not especially familiar with the period but Faber is clearly playing with these novels to some degree and piss and spunk massively improve them.
And it has a happy ending! For the final couple of hundred pages Morrisey was echoing through my mind - "please, please, let me get what I want, Lord knows, it would be the first time - and yes, Sugar did. I might want bodily fluids but I am also a big softy.
#54 The Terror by Dan Simmons
The other side of the coin to Faber. This is another huge cod-Victorian novel but even to a non-expert it rings utterly false. Adam Roberts (an expert) details this in his
Strange Horizons review, along with its tedious repetition and (more forgiveable) its breast obsession (although he seems to have liked it).
As in his story
‘On K2 with Kanakaredes’, Simmons takes an inherently dramatic situation (then mountaineering, here
the Franklin expedition) and adds very little by introducing a speculative element. Presumably in both cases it was done entirely with an eye toward potential markets. In this case the spec fic aspect is that Inuit mythology is true, although this is only revealed very late on, after the novel has completely reconfigured its shape. Unlike Jeff Vandermeer I am not at all sure that this literalisation avoids treating the main Inuit character as a magical savage.