So, first of all, I want to say that while I ADORE Ursula Le Guin, and Octavia Butler (and I like but don't love Nalo Hopkins) - PLEASE STOP RECOMMENDING THEM TO ME. I own all or most of their books. There ARE other writers both of color, and with colored characters, out there
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I don't know if you read my ComicCon panel summaries; if so, you can skip this.
During the Spotlight on Neil Gaiman panel, someone asked him about an American Gods movie. He said that no one has figured out how to adapt it yet -- it's difficult because he wrote it after writing Way Too Many screenplays, so he made it as structurally different as he could, pretty much. He thinks someone probably will figure it out eventually, though.
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Now I am tempted though. How on earth is this possible.
And why are writing in the third person?
nex0s.now @ gmail. com
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But after I've finished Falling Man, The Yiddish Policemen's Union, Against the Day, Kushiel's Scion, and the cool book about NYC apartments that Iz got me for my birthday... I'll pick up Acacia. It'll probably be out in paperback by that time anyway. :)
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I've heard this one. Multiple times. From readers who didn't realize the characters were black until some point way late in the novel, or never realized it at all. And just...yeah.
I suppose the fact that the author himself is white and a well-known public figure in fandom might maybe override the actual text in the minds of fen who read Gaiman's male protagonists and automatically picture Gaiman. (Especially readers who came straight from Sandman, in which the title character did spend an awful lot of time bearing more than a passing resemblance to his creator.) I mean, I could kind of sort of buy it in the case of American Gods and Shadow ( ... )
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This is exactly it. Same thing with Snow Crash and American Gods. Even though *I* think lines like "smooth, cappuccino colored back" and an entire sequence explaining how his father was black should make it clear that said character (Hiro Protagonist) is not-white, aren't enough to make that clear.
In one eye and out the other, I guess.
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