Today I think I came the closest to seeing Jekyll and Hyde done as I want it to be done. I’ve always been attracted to the story, and aside from the novel (which I always felt held only the kernel of the story, a story Stevenson wasn’t willing or able to pursue) I’ve seen the versions with Spencer Tracey, Mary Reilly (horrible film and novel-I’m
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But Jekyll/Hyde being about control/impulse (or some other dichotomy less obvious than good/evil) definitely seems to be a recurring theme; I remember a lot of discussions about this back when I was on a y!group for the musical (and a lot of Hyde/Lucy fanfiction, mostly not nearly complex and ambiguous enough).
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Is this our new motto?
Hopefully I will come back and be able to articulate what I mean by this? Right now I feel my meaning won't come across.
Well, we could discuss in person later.
I agree that it pushed buttons without really going anywhere, or far enough anyway, which is why I sort of felt euphoric at those things being addressed at all but not "omg this is the best play/J&H ever!" One thing the Tracey film/J&H musical do is put the Elizabeth-y character, Lucy, in contact with both of them. Jekyll, depressed over his failure in front of the board of directors, pops in for a drink. Lucy, a dancehall girl, meets and is intrigued by this polite doctor guy, who gives her his card though he declines her favors. Hyde, of course, takes her up on the latter, and then she goes to see Jekyll when Hyde hurts her. Cheap, maybe, but nice.
Oh also I think that if we'd liked Mrs. Jackman at all you'd feel a little better about Jekyll.
But mostly what I'd do if I started with Stevenson is do something ( ... )
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Which is why it's sad that Mary Reilly sucked SO BAD.
They'd never heard the names? The story? That's just sad.
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I'm worried that the sort of silliness of Van Helsing would not be the type I enjoy. See, one problem I have with big movies these days is that stuff that ought to be fun and silly has enough special effects and a huge budget and I cannot personally see it as anything but seriously intended. I know that's just me. But I prefer my silly to look a little more home-grown or something. I guess I have to know they're joking, or I'll just think they really mean it.
I read the LXG comic and was convinced early on that I wouldn't be seeing anything I liked about it in the film.
As to your final point, yeah. I have a terrible memory in general, but I do have a vast cultural repository. Some of that, sure, is due to reading and watching old films/tv. But I'm sure I didn't learn "Jekyll and Hyde" from Stevenson.
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I like Jekyll and Hyde also, particularly because of the ambiguity you mention. It's like Frankenstein, which I also love, for me, in that I don't find Jekyll (or Victor Frankenstein) to be all that sympathetic. Hyde IS him, and he IS Hyde, as you say, and I find it interesting on so many different levels, particularly when Jekyll is disgusted with something that Hyde has done.
I loved Moffat's Jekyll too. Have you seen the version with Cushing and Lee called I, Monster? For some reason, they weren't able to use the names from the book (other than Utterson), but it's a surprisingly effective version.
I also enjoyed the Hammer film Dr. Jekyll and Sister Hyde, which you would think would be a campy gore-fest (and it IS, don't get me wrong), but is also surprisingly well-done. Jekyll in this version (played by Ralph Bates) is more than morally ambiguous: he's a total murderer, and knows that he is. Hyde is Martine Beswick (who looks so much like Bates it's scary) who uses her sexuality ( ... )
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I have not seen I, Monster but I'll definitely look it up. As well as the Hammer one, which sounds like a lot of fun. Thanks!
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Reeves can barely act one role, let alone two in the same film.
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WHOOOOOOOOAAAAAAAAAAAAAAAAA.
Hahahahahahahadiesinside.
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