Oh my god, you guys, it is SO FUCKING HOT in my apartment right now. I am sitting here in my underwear with the window open, but the heat is still banging in the pipes. If I disappear, it's probably because I've been broiled to death. *fans self
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I find that, if you want an intriguing plot in which the answer isn't extremely obvious, you have to double-plot. Naturally, you have to have a (real) conclusion in mind already. And then, what I do, is that I create an equally plausible fake conclusion, which has the same characteristics as the real conclusion. Classic red herring, yes, but the trick is to make the similarities so close that it'll take some time and sleuthing to finally figure out the real answer ( ... )
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Thanks.
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And I so feel you on plot. I never have plots, I have ideas. Or song lyrics. What if Dean feels bad because he thinks John liked Sam best. Okay, now write a story about that. But the plot to make that story happen, to hang that idea off of, to illustrate that idea? I'm so, so inadequate at that. I collect quotes and lyrics and I feel inspired, but I have a hard time finding the story.
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But the plot to make that story happen, to hang that idea off of, to illustrate that idea? I'm so, so inadequate at that. I collect quotes and lyrics and I feel inspired, but I have a hard time finding the story.
See, I used to have built in plots, because I wrote mostly romances, so the plot was "A pines for B, B is oblivious until he's not, A and B get together." And endless variations of same.
Now, I am like, um, there's a ghost? And possibly their death has some relevance to Sam and Dean's relationship? And it's just hard! I envy the people who do it well and make it look easy.
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