"I wish to abandon imitation and illusion and enter directly into the higher drama of: celluloid, two dimensional strips; individual rectangular frames; the nature of sprockets and emulsion; projector operations; the three dimensional reflective screen surface; the retinal screen; optic nerve and individual psycho-physical subjectivities of
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Michael Snow, Hollis Frampton, Paul Sharits himself. batarde above probably knows more than me though... Any over view of american avant-garde film generally has at least a chapter on structuralist film too
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