It's dark. Dark and enveloping, in the same way that water is wet and drowning. It's no comfort, no help, because there's something profoundly wrong with it being dark
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There's not much to analyse about something being thrown out of a window, but the choice of missile can in fact tell you a lot about the person who performed the defenestration. More often than not, though, you'll learn a lot more just by looking up.
Michael lifts a hand to visor his eyes from the diffuse Michigan daylight as he glances up at the building's exterior, standing clear of the shattered chair limbs lying attendant in a pool of diamond shards of safety glass. The chair's brocade-upholstered remnants tell him that it was from a room intended for a hotel guest, and not a conference room.
Rapidly he finds the curtain billowing out of the now forcibly open window, and makes a note of the floor. He has to get up there, and now, so he begins to move swiftly inside-- that is, before he sees his mother leaving the building.
Dammit, can't she do anything he asks?
"Ma," he says as he approaches, "I told you to stay inside!"
Fiona is covered in sweat and dust, the familiar scent of cordite wafting around her. "Confused. Yes. Well. So was I. I don't like being confused, Michael. We've tried to leave. Politely. I decided it was time to make the point a little more forcefully."
Indeed, judging by the amount of damage done to the living room, she has applied quite a bit of force to making her point.
True to her mercurial nature, her expression shifts. "No, Michael. We're both still here, and now Madeline's been pulled into this as well. I don't think I've done nearly enough." She gives the ceiling and floor a thoughtful, sweeping gaze. "Perhaps I need to start on the load-bearing walls...."
The downturn of his mouth is his reponse before he sets off the fire extingusher briefly, sending a cloud of electrical-fire dousing carbon dioxide into the room. The gesture-- and his expression-- serve the same purpose: he's had enough of this, and he would rather like her to stop. Now.
"Fine," he says, his voice rising just a touch as he fixes her with a hard look. "You can go right ahead and do that later, but right now I thought we should talk and come up with a plan."
"You really think they'd let you get that far? Whoever 'they' are. I need names, Fiona. I need to know who works here, who's staying here, what they want, what their boundaries are, who they're working for."
She reaches out to touch his leg, but her gaze is focused somewhere else entirely. "I want to hurt them, Michael," she says quietly. "I want to see them bleed. I want them to know exactly how big a mistake they made. They can live just long enough to regret it."
The fire extinguisher is set aside for the time being before he crouches down to bring himself to her level. His expression is a little softer as he meets her eyes, though the blossoming bruise on his jaw from earlier gives him a less mild look.
"I know. And we will. But I need to know who they are, and I want to make sure we take them all down so they can't keep doing this. And I can't do that if I don't have the right information."
Michael lifts a hand to visor his eyes from the diffuse Michigan daylight as he glances up at the building's exterior, standing clear of the shattered chair limbs lying attendant in a pool of diamond shards of safety glass. The chair's brocade-upholstered remnants tell him that it was from a room intended for a hotel guest, and not a conference room.
Rapidly he finds the curtain billowing out of the now forcibly open window, and makes a note of the floor. He has to get up there, and now, so he begins to move swiftly inside-- that is, before he sees his mother leaving the building.
Dammit, can't she do anything he asks?
"Ma," he says as he approaches, "I told you to stay inside!"
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Indeed, judging by the amount of damage done to the living room, she has applied quite a bit of force to making her point.
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"That's great. Are you done?"
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"I need more information."
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One word, with many complex, layered meanings.
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"I know. And we will. But I need to know who they are, and I want to make sure we take them all down so they can't keep doing this. And I can't do that if I don't have the right information."
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