Each story has its difficult parts, and this was easier to bear second hand, rather than from either Jazz or Prowl's point of view (how most of us hate our fave char being in pain and suffering). But it still conveys how difficult it must have been, there's a desperation communicated when Jazz demands Prowl be near him so he knows his situation isn't a trick. Of course, it is also inevitable, reality comes not so often as a romantic walk on the beach during war.
We so often forget that they are at war. It can't be all fluff and sunshine (though I'm a fan of fluffy stories), there's got to be some pain and angst and darkness. Jazz's demanding that Prowl be there to reassure him struck me as the reaction that any torture victim would have, a 'please let me know this is real and not a figment of my imagination' type of thing.
It usually does take one of those "just before its too late" moments before things trigger properly. So very glad Prowl was there to help Jazz, at ALL times. You really see the beginning of what they have now. And I love Ratchet's little cursing fit, that most definitely sounds like our favourite CMO.
I'm so glad! This is the one that showed me where I needed to go - 'Jack volunteered, and it FLOWED, so I knew it was good. It was difficult to write because of the subject matter, but it's the best story of the lot, I think. I love Prowl in this one. That, right there, is how I think of Prowl. Jazz was too broken to hide anymore. He needed Prowl, and Prowl needed something like this to show him it was OK to progress with Jazz.
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And I love Ratchet's little cursing fit, that most definitely sounds like our favourite CMO.
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Ratchet's little paragraph wrote itself, I'm glad you liked it.
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I absofriggenlutely loved this one, Prowl going out to rescue Jazz, and the way Jazz so openly needed Prowl close. Wow I loved it.
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Jazz was too broken to hide anymore. He needed Prowl, and Prowl needed something like this to show him it was OK to progress with Jazz.
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Great job, lady! (as always)
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