I have a perpetual case of “Ooh, shiny!” in terms of wanting to do new projects; everyone, I think, knows that at this point. (And I am doing my damndest to keep it under control, but nevermind that right now.) Part of this is because new things are fun; part of it is unquestionably financially motivated.
At EasterCon, I was talking with Walter Jon
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Yes. And publishers are not above handing a boilerplate contract out in hopes of slipping one past one's agent, even if said agent always makes *at least* the same changes--a boilerplate of her own--and so on and so forth. And there are at least three people involved, generally: writer, agent, editor, where 'editor' may involve 'entire publishing team', as far as I can tell.
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Truth is, aside from something as unique as NO DOMINION, anything Walker-Papers-related is likely to be sold to my publisher, rather than crowdfunded. :)
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Alternately, self-publish a month or two after the NY book and puff up the sales for your publisher.
As Tim Pratt said on Twitter, his traditionally published books are becoming loss leaders for his self-published ones.
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