I spent a considerable part of my weekend talking about holiday clichés. Perhaps that's what prompted me to do a few "Australian clichés" posts. Well, they don't come any more clichéd than this, do they? :-)
the second one is a little more daring, but there's really nothing wrong with the top one. its symmetry is unusual in your work and gives it a static quality, but it's a quality piece of documentary imaging.
"A quality piece of documentary imaging", eh? What a lovely way to describe a snapshot. Heh. :-)
For what it's worth, I know these aren't the most exciting pictures I've ever posted; I'm just getting some clichés out of the way. I have a few more pictures of the bridge coming up that are a bit more adventurous, but I'll save those for later.
i wasn't poking fun at you; i meant it. in my line of work, the documentation of a structure is a major goal. not only does it give context to the building and its environment, but think of this: if in a hundred years from now, the opera house has ceased to exist, the top photo will be of much more value than the lower one in understanding what the building was, the boldness of its architecture, and the place it held in the cityscape.
now, having said that, i'm not at all adverse to artistic photography. in fact, that's what i've been trying to master these last ten years. i just wanted to point out that there's a whole other world of photographic utility and that your first pic wasn't a bad example of it.
I agree the top photo, being more of an overview photo, is a better document of what the Opera House is all about. That said, it's a tricky picture perspective-wise. If you were to judge the place the Opera House holds in the cityscape (as you put it) from that top photo, you might come to the mistaken conclusion that it's sitting right in front of the bridge, closing off the harbour, when in reality it does nothing of the sort. From a documentary point of view, this sadly rather overexposed photo gives a much better impression of the place, putting it into the right perspective:
In dit geval krijg je die niet te zien. Ik heb de foto's midden op de dag gemaakt, toen het licht erg slecht was, dus de kleuren van de bovenste foto zijn vaal en flets en gewoon niet erg mooi. Ik had er met de nodige hoeveelheid Photoshoppen nog wel iets van kunnen maken, maar dat leek me niet de moeite waard. En aangezien het in deze plaatjes toch om de vormen en lijnen gaat, en niet om de kleuren, heb ik toen maar besloten er zwartwit van te maken, wat vormen en lijnen benadrukt...
De onderste had in kleur gekund; die heeft inderdaad een strakblauwe lucht, zij het dat die op twee plaatsen wordt ontsierd door kleine wolkjes. Maar aangezien ik besloten had de eerste foto in zwart-wit te plaatsen, leek het me logisch de tweede ook in zwart-wit te doen...
Misschien plaats ik hem nog wel eens in kleur en in een ander formaat. Ik zie wel. Eerst wil ik aan een paar andere foto's werken. :-)
The top photo looks like a vintage postcard, and the bottom one, a surrealist painting. Love them both (but I admit I'm leaning slightly more towards the top one ;-))
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I guess the picture would have been more exciting if I had taken it with a wide-angle lens, but alas, I only had my 50mm lens with me...
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For what it's worth, I know these aren't the most exciting pictures I've ever posted; I'm just getting some clichés out of the way. I have a few more pictures of the bridge coming up that are a bit more adventurous, but I'll save those for later.
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now, having said that, i'm not at all adverse to artistic photography. in fact, that's what i've been trying to master these last ten years. i just wanted to point out that there's a whole other world of photographic utility and that your first pic wasn't a bad example of it.
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zag die onderste al helemaal voor me met een strak blauwe lucht :)
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Misschien plaats ik hem nog wel eens in kleur en in een ander formaat. Ik zie wel. Eerst wil ik aan een paar andere foto's werken. :-)
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