Busy, busy, busy, busy, busy- that's how things stand on board the Normandy. Mordin hasn't had time to seek the Bar out lately. Today he'd been planning on working through the latest set of data on cybernetic muscle enhancements when he found himself here. Well, no harm in that, right? He can get a drink, take a brief break, return to work with
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Comments 104
He doesn't understand anything on the board, until he gets down to the bottom.
"Johnny's in the basement mixing up the medicine, I'm on the pavement, thinking 'bout the government, the man in the trench coat, badge out, laid off, says he's got a bad cough, wants to get paid off."
He's not exactly in tune, but it's Dylan. Tune hardly matters, Penn figures.
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"Pack it up, pack it in, let me begin
I came to win, battle me? That's a sin
I won't tear the sack up, punk you better back up
Try and play the role and yeah, the whole crew will act up..."
If Mordin doesn't stop him sooner, he'll get through the first verse before he takes a break. The most surprising bit may be on the line "If you got the feeling, jump across the ceiling", on which he suits action to words, jumping onto a nearby piece of ceiling and dancing there like a white Lionel Richie, dropping back to the floor on the words "I came to get down, I came to get down".
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Mordin's almost going to have to start applauding long before the performance is over. Congratulations, Donighal, there is now a very real chance that the Normandy is going to be stuck with a rapping space newt in its science lab.
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"Fine, I'll take the bait. What is a patter song?"
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It should be noted that Mordin has been characterized by those who have met him as being similar to a hamster on coffee. He's fast.
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"Hm... We don't specially love quick-paced music where I come from, but there is something..." He grins a bit, a sharp little smile born from a memory of long years ago. He clears his throat and attempts an a capella version of Night Boat to Cairo. He isn't specially good as a singer, but he seems to be enjoying himself.
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