There's a nymph perched comfortably up on one of the booth dividers, rather calmly (and relatively palely, all things considered) decked out in suitably flimsy - and
jangly - Mardi Gras finery. The gauzy swathes of skirts are smoothed neatly over her lap and one knee is tugged up so that she can rest her book against it
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Comments 66
She is rather older than last seen.
It is tragic.
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"Hello."
It's a little quiet, but not too tentative.
She does not feel overly different, all things considered - goddessy, perhaps, but not too much different - and she is still Pomona.
Lethe does not put much stock in packaging.
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"It has been a while."
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There is a sigh. It is not terribly put-out, but there is some mild exasperation.
She does like clothing, generally speaking.
A grin, "For you, longer, I think."
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Yes, he remembers it quite distinctly. Only - last time, she couldn't talk about it.
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Though, admittedly, there are various ways she could think of that would make it more appealing. Perhaps if it were on someone else. Or had a coat over it. Or was being viewed the dark!
After a few moments of being scrutinized her eyes raise from the writing, blinking at him over the tops of the pages.
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Well, it certainly is acknowledgment.
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Her eyes crinkle, bright and amused, and she wiggles a set of fingers back at him, book resting back against her leg.
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He thinks that is Lethe. Probably. But she's dressed very strangely, for her. But so are lots of people, today. But-- why is she wearing bells?
Think, think.
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And there's something about being half-naked that makes people paying attention to you about a thousand times more noticeable. It's kind of helpful, actually. (This is, perhaps, why female spies where ridiculously skin-tight and revealing outfits?)
She blinks - after a moment or two - eyes rising up and away from the (slightly water-warped) pages and peering around curiously.
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She still looks like Lethe. Kinda. Mostly? He's a bad judge.
"Lethe?" he asks, just to be sure.
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"Hello there!"
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