"I just wanted--Oh," says Harding, as he walks into the bar.
For most people, it's been months since Harding's been in the bar. In fact, it's probably been months for Harding, too, but he hasn't really noticed--life's the same everyday, where he is. (The narration would like to mention, his mun has been working on college applications since
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Well, there's one at the bar anyways, who happens to be watching Harding with a friendly smile.
"Not quite what you were expecting?" This place still surprises him at times, after all.
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Also, the mun just saw High School Musical 3, so she is kind of hyped up on the fabulous ridiculousness of it all!
"Never is," says Harding, smiling thinly, but not unkindly. "I haven't been here in . . . god, a long time. I thought it was--not real," and his voice cracks.
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"I get that," he replies with a sympathetic and understanding nod. "Sometimes- if it's been a while- I wonder if I managed to think this place up, or it's some weird dream." Or one of those musical hallucination things he and his sister get.
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It is possible that Harding is in his cups, rather. He rarely drinks, but that just means his tolerance is ever lower.
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"Boo."
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"Hi," he says, shyly. "It's been a while."
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But not quite.
"Oh-- prithee forgive me," he says. "It has, hasn't it?"
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It's.
Well.
Appealing isn't a word many use to describe Harding, but then many haven't seen him like this: a little flushed, a little drunk, a little desperate. His hands, soft and white has ever, cling softly to Puck's hips.
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Sariel looks up from her tea at precisely the right moment. Then she beams. "Harding!"
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"Sariel!" he says. His face lights up; his eyes are a little glassy, but his wide smile makes up for it.
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Some things never change, do they?
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(Some things don't; but some things, oh, how they do.)
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Um.
She glances Harding's way, idly, from where she's perched crosslegged on a table and watching the room at large.
There's a moment or two when her gaze drifts past his face and on to the air beyond. And then she flinches at nothing, with a sharp intake of breath, and her eyes snap back to him.
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She's staring at him for a moment -- and then she turns her head away, closing suddenly damp eyes, in a gesture that might be negation or might be apology.
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Quietly enough that she can ignore it, if she wants to, he asks, "Are you all right?"
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