[ooc: Faux Jack Bauer voice: The following thread takes place between 3 and 4 on the Armageddeon Clock.]By now, you've probably connected that soft chime to the shaking earth, and both of those to the new furnishing
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Sikozu has put two and two together, but has not come up with magic as the cause. Not yet. A scientific explanation is first and foremost on her mind, specifically intentional induced seismicity.
She just doesn't know how.
So, that closer look? Is being taken. Cautiously. It may be more volitile than already demonstrated.
Sledgehammer? No. PKE meter? Yeah. Ray's been talking to Asar-Suti.
Actually, the meter's going to wait. He's going to try the other approach first. Namely: approach it slowly, hands where they can be seen, and smile without showing his teeth. "Hey there," he says to the clock. "Welcome to Milliways. Have you got a name?"
Claudia hasn't been in the bar lately. Tokyo was a marvelous place to explore. And she has been working on the whole feeding but not killing thing. It was difficult, but David was there and he helped.
So it is a relatively happy Claudia that enters the bar.
The child notices the clock and approaches, instantly awed by the thing. She looks up at it, eyes wide, and senses that there is more to it than it seems.
A hand reaches out and touches it, curious and perhaps a little hesitant.
"You bite back, don't you?" she asks it, looking at it from top to bottom. "I wonder what it is you're doing here. I can't imagine the Landlord installed you. You're quite atrocious in nature."
(99th and Broadway) Tick (Now, the bar.) Tick He did not intend to come in right now (busy. So terribly busy. I forgot I had a meeting. I blacked out and wound up on the West Side with a hot-dog and someone's tongue.), but he has, and he is facing the clock. "It's so damn gauche," he mutters and steps closer to it.
(the hamster is on his wheel. let's start this baby up. time's not waiting for you. let me off.) Tick "Later," he says, and takes the door back to New York.
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She just doesn't know how.
So, that closer look? Is being taken. Cautiously. It may be more volitile than already demonstrated.
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Doesn't want to hurt you.
Just wants to destroy everything around you and toss you and everyone else out into the Void.
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Well, except the smalltext. We'll just be grateful Sikozu doesn't know about that.
She steps closer still, and reaches out one arm slowly, pressing a finger to the body of the clock.
Testing.
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Actually, the meter's going to wait. He's going to try the other approach first. Namely: approach it slowly, hands where they can be seen, and smile without showing his teeth. "Hey there," he says to the clock. "Welcome to Milliways. Have you got a name?"
What? Sometimes it works.
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Although Spielberg's aliens didn't really use kazoos, which is what Ray's got on him now.
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Kit approaches the clock and sits down, using the Speech in its entirety when he says,
"Dai'stiho, cousin. Where have you come from?"
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Then, finally: Far away.
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"What do your numbers mean?"
They clearly aren't time.
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Power, the clock decides upon.
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So it is a relatively happy Claudia that enters the bar.
The child notices the clock and approaches, instantly awed by the thing. She looks up at it, eyes wide, and senses that there is more to it than it seems.
A hand reaches out and touches it, curious and perhaps a little hesitant.
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"You bite back, don't you?" she asks it, looking at it from top to bottom. "I wonder what it is you're doing here. I can't imagine the Landlord installed you. You're quite atrocious in nature."
Like called to like, after all, as did power.
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Tick
(Now, the bar.)
Tick
He did not intend to come in right now (busy. So terribly busy. I forgot I had a meeting. I blacked out and wound up on the West Side with a hot-dog and someone's tongue.), but he has, and he is facing the clock. "It's so damn gauche," he mutters and steps closer to it.
(the hamster is on his wheel. let's start this baby up. time's not waiting for you. let me off.)
Tick
"Later," he says, and takes the door back to New York.
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