As you may or may not know, I'm currently doing my Master's thesis work on New Orleans bounce. Bounce is a style of hip-hop that's very specific to New Orleans, and it's one of those styles of music that's entirely based off of a specific sample (in this case two). The two samples in question are a 3-note arpeggio-type figure, known as "Triggerman
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The wide-spread nature of clave-type rhythms across many cultures may have to do with borrowing material, or it may have to do with the mathematical properties of the clave rhythm: the 3 side of the clave produces an approximate golden section ratio between its three notes and the pulse or beat. This makes the clave rhythm satisfying according to the theory of aesthetics that claims that humans enjoy seeing symmetry-clave functions as a high-order rhythmic symmetry and, according to this analysis, that is the reason we find it pleasing. It is also one of the easiest syncopations to produce in 4/4 time, which may suggest that it was developed independently by several different cultures ( ... )
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Thanks for the input!
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(sorry I just had a lot of pot)
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There are other relevant connections there too. I'll let you read my thesis when I'm done, if you care to. In fact, you're probably one of the only people I know who'd actually be a) interested enough in the subject matter and b) able to trudge through about 100 pages of boring academic discourse.
Then again, maybe nobody I know can really deliver on that second condition, myself included.
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and your master thesis seems very interesting. which is your major subject? musicology or .... ?
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